Becoming One With The Ground, by Yutokaiomaru

Becoming One With The Ground

by Yutokaiomaru

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_takechiya An amazing amalgamation of various disparate currents into a brand new thing that is defined as its own genre.

The skillful blending of the noise waves with familiar rhythm and harmony creates this sort of grand, symphonic compositions that is at once cathartic and unsettling in the way it achieves its heights. It is enlightenment found in becoming the primordial dust. Favorite track: Rotary Kiln.

Itamar Alves Great string of records by Ultra Gash this past year, and they’re really winners when it comes to merge past waves of industrial noise with power electronics available today.

This is fun (check out the eastern patterns under the dirge) and it has a lot of dynamics going on.

algebraica ◇ Stunning emotionally charged sounds with an underlying mysterious feel. Somewhat reminiscent of Coil in how it carries this overall industrial tone when actually covering so much ground.

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Full Digital Discography

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releases

Get all 61 Ultra Gash Records releases available on Bandcamp and save 90%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Os Jararacas, DECADENCE-D, Apocalyptic Dance, Stay Mental!, Buben Vs. Cement Tea, Tamagocchi Soundsystem, Derrama Outro, Complete ZOSTER, and 53 more. , and , .

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Gatefold Black Media CD
Compact Disc (CD) + Digital Album
Hand numbered DIY gatefold sleeve + CD in black media

Includes unlimited streaming of Becoming One With The Ground via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Rotary Kiln 03:10	buy track
2.	Oyasumi 01:04	buy track
3.	Stunned by Starlight 06:17	buy track
4.	Las Ruinas Circulares 09:44	buy track
5.	Becoming (One With) The Ground 04:17	buy track
6.	Acousmatic Interference 01:28	buy track
7.	Conundrum 04:13	buy track
8.	Voice in The Attic 03:49	buy track
9.	Unutterable 05:51	buy track

credits

released October 12, 2021

Becoming One With The Ground [UGR-26] is the second full lenght album by L. Borgia Rossetti's post-Esmectatons project Yutokaiomaru.
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This record was programmed as a soundtrack through a chimerical gallery of sonically shifting shapes. It was composed as a middle ground between somewhat a furious elegy for that which went down and the foretelling - as a harbinger of what hasn't changed and is, hence, still to come. It's a surrealist mnemosic vision, a life-cycle analysis through the abusive disinterment of a mass grave. Folks would visit museums to admire the past while for the available disposal of many pieces there was a dire background. Like in a zoo, attendants gather to appreciate the animals but the environment and what's involved is mostly nature's desecration. Take the act of exhumation for scientific purposes, for example: that can be a research for the sake of deeper knowledge and valuable facts, though it's also seen as pure perversion for many. Then comes history, with whole empires swallowed by earth and all that now means nothing, yet the world replays itself and for more we hate our own species, we're part of that and cursed to act erroneously and repugnant one way or another. Everything repeats and in the end nothing ever changes. We discover the ugly things to bury them down, hiding them again with our corpses to rot away and be found by a next atrocious generation as a neverending circle of unlearning. Las Ruinas Circulares was inspired by Jorge Luis Borges' short story of the same title, which adds to and strongly emphasize the whole concept.

All sounds, instruments and words by YUTOKAIOMARU
(electronics, vocals, objects, guitar, bass, brass, keys, synth, strings etc..)

Artwork by Sayumi Kudo
Layout by L. Borgia Rossetti
ULTRA GASH RECORDS, 2021
UGR-26

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Ultra Gash Records Osaka, Japan

CONTACT: INSTAGRAM (link below)

Obscure, extreme and avant/experimental non-profit label & publishing co. founded in Japan, 2019 and currently based in Brazil. Enthusiastically working with DIY media - anything rare, noisy or bizarre. GET SKRONKY! ... more

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